No sooner do I get the new Sony DPS-R7 home than the post lady arrives and pushes through my letter box a bulky envelope containing the latest issue of Sound On Sound with the DPS-D7 pictured proudly on the cover. If you read my review of the D7, which together with the DPS-R7 reverb represents Sony's first real push into the effects unit market, you might remember that I said it was probably the first of the new wave of single, as opposed to multiple, effects units. Multi-effects units have been justly popular in recent years, but once you have one in your studio why would you ever want to buy another? One decent multi-effects unit is enough for any studio, and soon we'll have a choice of dozens (hopefully) of classy single effects units, each of which does one particular job and does it very very well. Of course I am speculating, as I don't have an insight into the manufacturers' minds, but since I would very much like to have a better choice of quality easy-to-use effects units than exists at the moment, I see no harm in promoting the idea. There is a dual concentric input level control and there are separate stereo output level controls for dry and effect level. Physically, the DPS-R7 is identical to the DPS-D7, the only difference being that one letter in the name. Sony dps r7 manual pdf 0 Comments Its very useful to be able to mix the two on the unit itself, although most engineers will mix in the reverb via an auxiliary send on the console. It's very useful to be able to mix the two on the unit itself, although most engineers will mix in the reverb via an auxiliary send on the console.
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